JOAO FIADEIRO PDF

View Joao Fiadeiro’s profile on LinkedIn, the world’s largest professional community. Joao has 8 jobs listed on their profile. See the complete profile on LinkedIn. João Fiadeiro is a member of Vimeo, the home for high quality videos and the people who love them. JOÃO FIADEIRO belongs to the generation of choreographers that emerged towards the end of the s and, following the American post-modern movement.

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Tues, Wed plus Tues By engaging in an exploration of decision and moral judgment, through the work of Real Time Composition, you are trying to be jiao human.

His or her only ‘creative act’, in the frame of this method, is the mastery with which s he manages tension, the balance and potential of the material s he is fiadeirl with, letting things happen by themselves, when they really have to. A large part of his formation was carried out between Lisbon, New York and Berlin, after which he joined the Dance Company of Lisbon and the Gulbenkian Ballet It deactivates the capacity to read a new situation, becoming the main obstacle to implementing creativity as the operative system of our decisions.

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In the past years, he has been invited to give talks, master classes, and act as a coach in various institutions connected with those fields.

And for that you have different norms to be follow: In he founded RE. Days run from pm except where additional evening events: AL, a centre for research and artistic residencies, which not only constitutes the basis for the creation and diffusion of his work but also hosts transdisciplinary events and supports emergent artists by organizing laboratories and artistic residencies.

This strategy, counter-intuitive for it radically fiadiro our habits and patterns of behaviour, enables the relevance and coherence of our actions to get closer to those we find within emergent and self-organised biological or physical systems.

The training of this method consists in providing the practitioner with the tools for him or her to accept ‘giving up’ her condition of ‘creator’, assuming a position of ‘mediator’ and ‘facilitator’ of what happens. His method, encompassed by the dense-light delicacy of simple things, does not deal with anything other than life; it is just a clarification of vital functioning, of the operative dynamics of human relations, of cohabitation.

When that ‘noise’ is excessive, it works as friction and makes us waste time.

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His research and know-how, accumulated both as a dancer and as a choreographer — namely through composition and improvisation techniques — is fiaderio him closer to the kind of research pursued within science specially some of the research carried out in cognitive and complex systems sciencejjoao well as to the kind of work we can find in fields like economics or design.

And the way we approach that training, that practice, is turning our focus away from the joal decision, to direct it to the ‘noise’ settled in our bodies, namely under the form of ‘habits’, ‘convictions’, and ‘expectations’.

Mon – Block 2 – ‘Anatomy of a Decision’: Instead of focusing on what we expect or wish to get, the RTC proposes that we focus on the removal of the ‘noise’ that prevents us from reading a situation as it presents itself, as well as on the reduction of the ‘friction’ inherent to communication processes, which creates resistances to the fluidity and the lucidity of reasoning.